DeMiddel initially joined Magnum as a nominee in 2017, then became an associate in 2019. She came to worldwide attention in 2012 with the breakout success of her second book, The Afronauts, having previously worked for a decade as a photojournalist.She has subsequently published nine books, and shown her work around PhotographerCristina De Middel (1975, Spain) chose as the starting point for her project The Afronauts a little-known episode from Zambia's history. This was a space programme started by an educator which suddenly entered Zambia in Indilinga’, Cristina de Middel, 2012. This is one of thirty-seven colour photographs in Christina de Middel’s series The Afronauts 2012 (Tate P82235 – P82271).Each one depicts the artist’s imagined version of events surrounding the Zambian Space Program of
Jambo from the series The Afronauts, 2012, by Cristina de Middel. Photograph: ©Cristina de Middel/Courtesy of the artist and The Photographers' Gallery, London As a business, though, self
CristinaDe Middel, “The Afronauts”, 2012 I guess I started generating the content that I would like to find in newspapers and magazines and couldn’t find anywhere. I explain the
Cristinade Middel is recognised as one of the most interesting, Her artistic and commercial breakthrough came in 2012 with The Afronauts, a self-published photo book and exhibition documenting Zambia’s little

Fromthe series The Afronauts (2011), 2020. Pulula. From the series Afronauts, 2010. Dhana. From the series The Afronauts. 2011., 2021. Ubotongo. From the series Afronauts, 2011. Discover and purchase Cristina De Middel’s artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.

Cristinade Middel (Alicante, 1975) es una fotógrafa documental y artista española que vive y trabaja a caballo entre Brasil, México y España. The Afronauts. Londres: Autopublciado, 2012. Edición inglesa: ISBN 9788461585960. Tirada de 1000 copias. Vida Y Milagros de Paula P.
Últimaactualización: 22.05.2013 18:33. El éxito cosechado por la novela 'The Afronauts' ha llevado a su autora, la fotógrafa alicantina Cristina de Middel, a lanzar una nueva versión
Cristinade Middel investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, as a photojournalist when De Middel stepped outside of straight documentary and produced the acclaimed series The Afronauts (2012).

Mayango’, Cristina de Middel, 2012. This is one of thirty-seven colour photographs in Christina de Middel’s series The Afronauts 2012 (Tate P82235 – P82271).Each one depicts the artist’s imagined version of events surrounding the Zambian Space Program of

Here Cristina de Middel discusses how her unconventional approach to photographing the world brings to the fore truths that traditional documentary cannot easily translate.
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TheAfronauts (2nd Edition) – Cristina de Middel. €48.39. Year: 2017. Edition: Second. Pages: 88. Dimensions: 17.5 x 23.5 cm. Format: Hardcover. In 1964, an eccentric schoolteacher named Edward Makuka Nkoloso single-handedly initiated a space programme in Zambia, thereby joining the space race between the USSR and the United
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Oneof them is Cristina de Middel’s 2012 work Afronauts. Through a method best described as fictional photojournalism, she photographed models as if they were part of a reimagined version of the ThisIs What Hatred Did – Cristina de Middel. $57.11. Year: 2015 Edition: First. Pages: 176. Dimensions: 13 x 28 cm. Format: Hardcover. ‘This is what hatred did’ is the lapidary phrase that ends Amos Tutuola’s novel My Life in the Bush of Ghosts. When it was published in 1954, the novel provoked such violent reactions that Tutuola was

Cristinade Middel, Publication award-winner In 1964, still living the dream of their recently gained independence, Zambia began a space program with the hope of sending the first African to the moon—catching up

Thepictures are all square and de-saturated, with a pink tone. Some of the pictures that featured in the series, called The Afronauts, were actually old ones taken on trips to the US and Italy. Whileworking as a photojournalist, de Middel’s passion for finding unconventional angles led to the acclaimed series The Afronauts. The project explores the story of an Gwendalu‘, Cristina de Middel, 2012 on display at Tate Modern. This is one of thirty-seven colour photographs in Christina de Middel’s series The Afronauts 2012 (Tate P82235 – P82271).Each one depicts the artist’s imagined version of events surrounding the Zambian Space Program of the 1960s. GPgA.